‹p›The long-awaited fourth installment of the Earth's Children series is as warm and inviting as its campfire milieu. sure fire bestseller. Auel again describes her characters' travails, a passionate interest of millions of readers, in impeccably researched detail. The continuous recitation of flora and fauna, coupled with flashbacks to events in the previous books, becomes somewhat tiresome, however. (Would that our "memory" were as instinctual as that of the Clan.) The saga continues the cross-continental journey of Ayla, her mate Jondalar and their menagerie to his homeland. En route, they encounter a variety of problems, yet manage to find panaceas for each. Their enlightened compilation of skills, inventions, therapies and recipes transforms the voyagers into spirit-like personas providing The Others with constant awe. A brief encounter with the Neanderthal Clan rekindles the unique charm of the first (and strongest) book. Such locutions as "out of the cooking skin into the coals" or "Mother's path of milk" for the Milky Way are coyly anachronistic. Nonetheless, this volume is as welcome as letters from a long-lost friend. A novel 1.25 million first printing; major ad/promo; first serial to Ladies' Home Journal; BOMC main selection; author tour. Copyright 1990 Reed Business Information, Inc. ‹/p›
Jean Auel's fifth novel about Ayla, the Cro-Magnon cavewoman raised by Neanderthals, is the biggest comeback bestseller in Amazon.com history. In The Shelters of Stone, Ayla meets the Zelandonii tribe of Jondalar, the Cro-Magnon hunk she rescued from Baby, her pet lion. Ayla is pregnant. How will Jondalar's mom react? Or his bitchy jilted fiancée? Ayla wows her future in-laws by striking fire from flint and taming a wild wolf. But most regard her Neanderthal adoptive Clan as subhuman "flatheads." Clan larynxes can't quite manage language, and Ayla must convince the Zelandonii that Clan sign language isn't just arm-flapping. Zelandonii and Clan are skirmishing, and those who interbreed are deemed "abominations." What would Jondalar's tribe think if they knew Ayla had to abandon her half-breed son in Clan country? The plot is slow to unfold, because Auel's first goal is to pack the tale with period Pleistocene detail, provocative speculation, and bits of romance, sex, tribal politics, soap opera, and homicidal wooly rhino-hunting adventure. It's an enveloping fact-based fantasy, a genre-crossing time trip to the Ice Age.
Thirty thousand years in the making and 31 years in the writing, Auel's overlong and underplotted sixth and final volume in the Earth's Children series (The Clan of the Cave Bear; etc.) finds Cro-Magnon Ayla; her mate, Jondalar; and their infant daughter, Jonayla, settling in with the clan of the Ninth Cave of the Zelandonaii. Animal whisperer and medicine woman Ayla is an acolyte in training to become a full-fledged Zelandoni (shaman) of the clan, but all is not rosy in this Ice Age setting; there are wild animals to face and earthquakes to survive, as well as a hunter named Balderan, who has targeted Ayla for death, and a potential cave-wrecker named Marona. While gazing on an elaborate cave painting (presumably, the Lascaux caverns in France), Ayla has an epiphany and invents the concept of art appreciation, and after she overdoses on a hallucinogenic root, Ayla and Jondalar come to understand how much they mean to one another, thus giving birth to another concept — monogamy. Otherwise, not much of dramatic interest happens, and Ayla, for all her superwomanish ways, remains unfortunately flat. Nevertheless, readers who enjoyed the previous volumes will relish the opportunity to re-enter pre-history one last time.
The authenticity of background detail, the lilting prose rhythms and the appealing conceptual audacity that won many fans for The Clan of the Cave Bear and The Valley of the Horses continue to work their spell in this third installment of Auel's projected six-volume Earth's Children saga set in Ice Age Europe. The heroine, 18-year-old Ayla, cursed and pronounced dead by the "flathead" clan that reared her, now takes her chances with the mammoth-hunting Mamutoi, attended by her faithful lover, Jondalar. Gradually overcoming the prejudice aroused by her flathead connection, Ayla wins acceptance into the new clan through her powers as a healer, her shamanistic potential, her skill with spear and slingshot and her way with animals (she rides a horse, domesticates a wolf cub, both "firsts," it would seem, and even rides a lion). She also wins the heart of a bone-carving artist of "sparkling wit" (not much in evidence), which forces her to make a painful choice between the curiously complaisant Jondalar, her first instructor in love's delights, and this more charismatic fellow. The story is lyric rather than dramatic, and Ayla and her lovers are projections of a romantic rather than a historical imagination, but readers caught up in the charm of Auel's story probably won't care. 750,000 first printing; $300,000 ad/promo; paperback rights to Bantam; Literary Guild and Doubleday Book Club dual main selections; author tour.
In this second novel of the Earth's Children saga, Ayla, the unforgettable heroine of THE CLAN OF THE CAVE BEAR, sets out solo into a world far from friendly.She is in search of others like herself…and in search of love.Driven by energies she scarcely understands, she explores where the clan never dared to travel.In a hidden valley, she finds not only a herd of steppe horses, but also a unique kinship with animals as vulnerable as herself.Still, nothing prepares her for the emotional turmoil she feels when she rescues a young man, Jondalar – the first of the Others she has seen – from almost certain death.
Fetal Bait Apocalypse contain all three of Joel Arnold’s short story collections in one volume:
• Bait and Other Stories
• Bedtime Stories for the Apocalypse
• Fetal Position and Other Stories
This one volume holds over 120,000 words of fiction that will haunt and terrify you for days on end.
Contains the award winning stories “Some Things Don’t Wash Off” and “Mississippi Pearl” as well as stories that have seen print in such venues as Weird Tales, Gothic.Net, ChiZine, HorrorFind and Pseudopod. Six of these stories have received honorable mentions in The Years Best Fantasy & Horror.
In these three collections, you’ll meet:
A father whose intense longing for his dead son lead to disturbing consequences.
A group of college students tubing down a river through a burnt forest who encounter terrifying creatures.
A man seeking redemption for a sinful past through the skill of a tattoo artist.
A Cambodian-American teen who will fit in with the locals at any cost.
A woman who finds a bizarre solace in a rare pearl.
A self-absorbed husband monitoring the end of his existence over the internet.
A teenager digging his way through a deep crust of waste and bone to win his freedom.
A man whose work for the Khmer Rouge returns to haunt him.
A son who has an intensely strange relationship with his mother.
A student with a bizarre homework assignment.
A woman who has a macabre way to deal with bill collectors.
These stories and more will have you up late into the night, glancing over your shoulder and flinching at the slightest of noises.
“Joel Arnold is the real deal. He elicits a subtle element of terror and justice through his writing, delivered without a heavy hand. His exceptional imagery effects readers in a way that leaves them chilled and disturbed; causing the kind of behavior that will leave friends asking ‘what’s bothering you,’ for days afterwards.”
D.L. Russell, editor of Strange, Weird & Wonderful Magazine
“Author Arnold has a deft touch with horror that will leave a chill in your spine, but without the violence and gore of much modern horror. The stories remind me of Ray Bradbury at his darkest with their ability to play on the difference between what we know might happen and what we want to happen. These are complex tales with layers below the surface enjoyment of a story well written.”
The Horror Writers Association Presents
...a collection of entertaining tales that puts the fun back into dark fiction, with ironic twists and tongue-in-cheek wit to temper the jagged edge.
Charlaine Harris reveals the dark side of going green, when a quartet of die-hard environmentalists hosts a fundraiser with a gory twist in "An Evening with Al Gore"...In an all-new Dresden Files story from Jim Butcher, when it comes to tracking deadly paranormal doings, there's no such thing as a "Day Off" for the Chicago P.D.'s wizard detective, Harry Dresden...Sherrilyn Kenyon turns a cubicle-dwelling MBA with no life into a demon-fighting seraph with one hell of an afterlife in "Where Angels Fear to Tread"...Celebrity necromancer Jaime Vegas is headlining a sold-out séance tour, but behind the scenes, a disgruntled ghost has a bone to pick, in Kelley Armstrong's "The Ungrateful Dead." Plus tales guaranteed to get under your skin — in a good way — from Janet Berliner Don D'Ammassa Nancy Holder Nancy Kilpatrick J. A. Konrath and F. Paul Wilson Joe R. Lansdale Will LudwigsenSharyn McCrumb Mark Onspaugh Mike Resnick Steven SavileD. L. Snell Eric James Stone Jeff Strand Lucien Soulban Matt Venne Christopher Welch
So let the blood flow and laughter reign — because when it comes to facing our deepest, darkest fears, a little humor goes a long way!
Born into a long line of distinguished lepidopterists, scientists who study moths and butterflies, Ginny and Vivien grew up in a sprawling Victorian home. Forty-seven years later, Ginny lives there alone, tending to her moths and obsessions amid the ghosts of her past.
But when her sister Vivien returns to the crumbling family mansion, dark, unspoken secrets rise, disrupting Ginny's ordered life and threatening the family's fragile peace. Told in Ginny's unforgettable voice, this debut novel tells a disquieting story of two sisters and the ties that bind-sometimes a little too tightly.
Az igazságtalanul bebörtönzött Malcolm Lockridge ítéletre várakozik, amikor cellájában megjelenik egy csodaszép nő, Storm Darroway, és Lockridge hamarosan kiszabadul. Az ár: el kell kísérnie a titokzatos hölgyet egy igen kockázatos küldetésre.
Lockridge mire észbe kap, máris harcba keveredik Storm oldalán különös, fekete egyenruhás alakokkal, s még nagyobb meglepetés éri, amikor az idő rejtélyes folyosóján keresztül jóval az időszámítás előtti korszakba jutnak. Lockridge hamarosan megtudja a teljes igazságot: az emberiség történetének legcsúfabb, legádázabb küzdelmébe csöppent bele, a korszakokon át húzódó időháborúba, az Őrzők és a Védők harcába.
Lockridge nem szándékozik részt venni ebben a csatában, mégis a szeszélyes sors eszközévé válik, és hamarosan rájön, miként irányíthatja úgy a háború kimenetelét, hogy az az emberiség számára a leghasznosabb legyen.
Parts of this book were published as separate short stories in The Magazine of Fantasy and Science Fiction:
“Time Patrol” May 1955;
“Delenda est” Dec 1955;
“Brave To Be A King” Aug 1959;
“The Only Game in Town” Jan 1960;
“Gibraltar Falls” Oct 1975.
Guardians of Time collection was first published in Oct 1962; “Gibraltar Falls” was added to it in Oct 1981 edition.